September 10, 1890 is the birthdate of Franz Werfel, the Prague-born
Jewish poet, dramatist and novelist, whose most acclaimed work, the 1933
“The Forty Days of Musa Dagh,” about the Armenian genocide, was widely
read as a warning about the Nazi rise to power and the murderous threat
it posed to the Jews.
Werfel
attended a school run by the ecumenically minded Catholic Piarist
order, where a rabbi was invited in to give Jewish boys instruction for
their bar mitzvah. That was followed by gymnasium in Prague, during
which time he already befriended Franz Kafka and Max Brod, hanging out
with them and other German-language writers at the Arco Cafe.
In
1911, at age 21, Werfel published his first book, a poetry collection
called “Weltfreund” (The World Lover), which included such open-hearted
lines as “My only wish is to be related to you, O Man!” That same year,
he began his period of obligatory service in the Austro-Hungarian army.
After
the army, Werfel moved to Leipzig, where he began working as an editor
of avant-garde literature for the German publisher Kurt Wolff. He now
became acquainted with such writers as Martin Buber, Else
Lasker-Schuller and Rainer-Maria Rilke, and was involved in organizing
pacifist activities.
Pacifist
or not, Werfel was called up to service in World War I, and was sent to
the Russian front as a telephone operator, which left him with ample
time for writing. In 1917, the army transferred him to its press bureau,
recalling him to Vienna.
‘Bow-legged Jew with bulging lips’
It
was in 1918 that Werfel met Alma Mahler, the femme-fatale widow of
composer Gustav Mahler and former lover of painter Oskar Kokoschka. At
the time she was married to architect Walter Gropius, who was off in the
war.
Mahler,
who was 11 years Werfel’s senior, was quite openly anti-Semitic,
referring to him as a “fat, bow-legged Jew with bulging lips,” but she
was also in love with him, and their relationship continued for the rest
of Werfel’s life.
When
Mahler became pregnant with Werfel’s child, Gropius granted her a
divorce. She had the baby but it died within a year of birth, due to
Werfel’s “degenerate seed,” as Mahler had it. She refused to marry him
until 1929, and then only after he had appeared before a state clerk and
“resigned” from the Jewish community, though he never converted.
Werfel
was introduced to the Armenian saga by a chance meeting in Damascus,
and the result was a best-selling novel about the Turks’ 1915 campaign
against the Armenians. He described the book to audiences as telling how
“one of the oldest and most venerable peoples of the world has been
destroyed, murdered, almost exterminated … by their own countrymen.”
Not
surprisingly, “The Forty Days” was one of the first books consigned to
the bonfires by the Nazis, and Werfel’s application to join the Third
Reich’s Organization of German Authors was rejected. Werfel and Mahler
fled Austria after the Anschluss, in 1938, and after being given shelter
briefly at the Catholic Sanctuary in Lourdes, they were smuggled out of
Europe with other writers by the American journalist-rescuer Varian
Fry.
Resettled
in Southern California, Werfel made good on a promise to write about
St. Bernadette of Lourdes if he escaped from Europe alive, producing the
novel “The Song of Bernadette” in 1941, which was remade as a hit film
two years later.
Werfel’s
last years were taken up with writing a number of works dealing with
religion, in particular the tension that existed until his death between
his Jewish background and his spiritual affinity for Catholicism. Much
to the frustration of his wife, he never did convert.
Franz Werfel died on August 26, 1945, at the age of 54. Alma Mahler passed away in 1964.
"Haaretz," September 10, 2014
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