We had reported about "Dear Armen," a finalist project in the "Shift" initiative sponsored by ONEArmenia a few months ago. Now we are glad to inform that, presented by Saboteur Productions, it will debut as a work in progress in Yerevan on Wednesday, September 25, 2013, at The Club (Agoump), at Tumanyan and Parpetsi. It is even more encouraging that the function is sold out!
A note by Canadian Armenian dancer and director Kamee Abrahamian is worth quoting in its entirety:
"It is important to recognize that Ohanian’s story, which can be
compared to the likes of inspirational figures such as Sarah
Bernhardt and Frida Kahlo, is quite contemporary even for current times.
It has the potential to appeal to a universal audience as well as
Armenians. That being said, the desired impact of this project is to
engage the prolific dynamism of the Armenian woman and nurture the
progression of a pivotal social issue that is prevalent in the
front lines of contemporary cultural discourse in Armenia. My goal is to
co-create a piece of interactive theater that will transfer these
strengths, whether they be considered sensual, artistic, maternal, or
mystical, to audiences who will walk away feeling energized and moved by
Ohanian’s legacy. If these goals are met, I can only hope that those
who are inspired will embody this experience in their own lives and pay
it forward – to loved ones and strangers alike – therefore taking one
step closer to the transformation and evolution of women’s issues and
the future of Armenian culture."
The creation / production team behind this project is composed by Kamee Abrahamian, Tiffany Golarz, and d. lee williams.
To read more about Armen Ohanian, go to en.wikipedia.org/Armen Ohanian. You may also find her only work translated into English, the autobiographical novel The Dancer of Shamahka, on the Internet. For those who read Armenian, copies of Artsvi Bakhchinyan's and Vartan Matiossian's «Շամախեցի պարուհին. Արմէն Օհանեանի կեանքն ու գործը» are still available from Sardarabad Bookstore in Glendale.
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